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For antique rustic oak furniture that you would like to lighten, what type of wood would be suitable?
For antique rustic oak furniture that you would like to lighten, a suitable wood type would be pine. Pine is a lighter wood with a natural grain that can complement the rustic style of the oak furniture. It is also easier to work with and can be stained or painted to achieve the desired lighter finish. Additionally, pine is a durable wood that can withstand the wear and tear of everyday use, making it a practical choice for furniture restoration. **
Is 200 realistic?
It depends on the context. If you are asking about a score on a test or exam, then 200 may or may not be realistic depending on the difficulty of the test and your level of preparation. If you are asking about a goal or target, then 200 may be realistic or unrealistic depending on the specific circumstances and resources available. It's important to consider the specific context and factors involved in order to determine if 200 is realistic. **
Gretsch Synchromatic 200 Sunburst c.1940s Vintage Archtop Acoustic Guitar Vintage Sunburst - Refurbished
This is an incredible Gretsch Synchromatic 200 in Sunburst finish. This model was introduced by the original incarnation of Gretsch in 1939. The company was founded in Brooklyn, New York in 1883 by Friedrich Gretsch, initially as a drum manufacturer. The Synchromatic 200 was introduced in 1939 and discontinued by 1946. The serial number of this instrument is 3 digits handwritten on the inside of the body, indicating that it was made before Gretsch changed their serial number system in 1945/6. The Synchromatic 200 is an archtop acoustic guitar which features a set-neck construction comprising a Spruce top, Maple back and sides, Maple neck and 20 fret Rosewood fingerboard inlaid with Abalone blocks. The body is double-bound, with cateye soundholes, 'stairstep' Rosewood bridge, gold 'Harp' tailpiece & gold open-geared tuning machines. This particular instrument has been fitted with an Artec MHPA95-GD Mini Humbucker, which is wired directly to a 3.5mm output jack mounted discreetly under the pickguard. The Maple neck plays very well, with a profile which can be described as Asymmetrical; considerably shallower on the treble side and deeper on the bass side. This is certainly a unique playing experience when compared with modern guitars, and provides the Synchromatic 200 with a sense of exclusivity, which along with the playwear that the neck has developed over the years is very inspiring in the hands. The Rosewood of the fingerboard is pleasant under the fingers, with a 10" radius that is practical for a wide range of playing styles and techniques. The large Abalone block inlays add a touch of luxury, reminding the player of Gretsch's golden age. The acoustic voice of the Synchromatic 200 is distinctly archtop, with a dark and mellow tone that is perfect for jazz playing. Thanks to the large stature of the body and the twin large soundholes, the instrument projects very well and produces plenty of volume. The addition of the Artec MHPA95-GD Mini Humbucker adds the versatility required for live and recording situations, and despite its lack of on-board control produces a rich, mellow tone which is highly usable in a wide range of musical contexts. This is a beautifully preserved example of Gretsch's early work, which remains beautifully practical and playable today.
3230,00 £*
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Epiphone J-200 EC Studio Parlor Vintage Sunburst 2025 Electro-Acoustic Guitar Vintage Sunburst - Refurbished
This is an Epiphone J-200 EC Studio Parlor electro-acoustic guitar in Vintage Sunburst finish. Made in China in 2025, this guitar features a set-neck construction comprising a Solid Spruce top, Laminated Ovangkol back & sides, Hard Maple neck and 20 fret Pau Ferro fingerboard with matching bridge. The body is double bound in white, with multi-stripe purfling to the top along with a tortoise pickguard & Abalone rosette. A Bone saddle & nut are fitted, along with a set of Gold Grover Mini-Rotomatic tuning machines. A Fishman Sonicore undersaddle piezo is installed, and is wired to a Fishman Presys II preamp with controls for master volume, bass, treble, phase reverse & an on-board tuner. The Hard Maple neck plays very well, with the 'Rounded' profile filling the hand nicely for a substantial yet articulate playing experience across the register. The nut width of 1.69" offers ample string spacing without feeling cumbersome. The Pau Ferro of the fretboard is pleasant under the fingers, and with its traditional 12" radius & medium frets is well equipped for a wide range of playing styles & techniques. The baby jumbo or parlor body size is nice & comfortable in the arms, offering an easily manageable playing experience in both seated & standing positions. The acoustic voice of the Epiphone J-200 EC Studio Parlor is bright & crisp, with plenty of top end sparkle thanks to the small stature of the body & the use of Spruce for the top. The mid range is smooth & round, whilst the low-end is understated whilst remaining accurate. The Solid Spruce top projects very well, and produces an impressive amount of volume & dynamic range for such a small instrument. The on-board Fishman electronics faithfully convey the acoustic voice of the instrument in both live & recording situations, whilst the on-board tuner improves the practicality of guitar.
430,00 £*
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PRS Custom 24 Vintage Sunburst 1991 Electric Guitar Vintage Sunburst - RefurbishedThis is a PRS Custom 24 Electric Guitar in Vintage Sunburst finish. After being unveiled by Paul Reed Smith at the NAMM show in 1985, the Custom 24 established a 'third way' between Fender and Gibson in the guitar landscape. Made in the USA in 1991, this guitar consists of a Mahogany body with a Figured Maple top, a Mahogany neck, and a 24-fret Rosewood fingerboard. Other appointments include a PRS Tremolo system, PRS Locking tuners, and Gold hardware. The pickups installed in this model are a PRS HFS Treble Humbucker in the bridge, and a PRS Vintage Bass Humbucker in the neck position. These are wired to a master volume, master tone, and a 5-way rotary switch. The Mahogany neck plays superbly well, with the 'Wide Thin' profile offering a smooth, responsive and articulate paying experience in all registers. Certainly, the profile is well suited to lead players as it is slim enough for fast melodic lines and solos. The gloss finish to the rear of the neck assists with navigation of the 25" scale, and the double cutaway body design with signature PRS sculpted lower horn enhances access to the upper frets. The Rosewood of the fingerboard is pleasant under the fingers, its 10" radius feeling practical for a wide range of playing styles and techniques whilst the attractive and unique Abalone 'Bird' inlays add a touch of luxury to the playing experience. The pair of PRS humbucking pickups installed in this guitar deliver thick and full-bodied tones, with plenty of switching options to ensure versatility. The Vintage Bass in the neck position is warm and round, and delivers plenty of power to push those lead lines and solos to the front of the mix. The HFS Treble bridge pickup is brighter, and can handle serious amounts of gain for a saturated rhythm guitar sound on your riffs and power chords. In positions 2 & 4 the pickups effectively split, providing an out-of-phase single coil sound which works well for crystal clear shimmering clean sounds. The control layout remains simple but offers plenty of scope for shaping your tone.3660,00 £*Shipping: 0,00 £Secure redirect to the provider
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Epiphone Noel Gallagher SuperNova Vintage Sunburst 1997 Electric Guitar Vintage Sunburst - RefurbishedThis is an Epiphone Noel Gallagher SuperNova semi-hollow electric guitar in Vintage Sunburst finish. Made in Korea in 1997 this guitar features a set-neck construction comprising a Laminated Maple body with a Maple centre block, a Mahogany neck and 22 Medium Jumbo fret Rosewood fingerboard. The guitar is equipped with a Tune-O-Matic adjustable bridge and a stopbar tailpiece, along with a set of vintage-style tuning machines. A pair of Epiphone Alnico humbucking pickups are installed, these are wired to a 3-way toggle switch and independent volume & tone controls. The Mahogany neck plays well, with the SlimTaper ‘C’ profile feeling slim yet comfortable in the hand and offering easy fretting in any register. The Gloss finish to the rear feels pleasant to the touch and aids easy transitions up and down the neck, whilst the 12” Rosewood fingerboard and Medium Jumbo frets provide a robust playing experience that feels rock solid under the fingers, enhancing string bending and vibrato techniques. The semi-hollow construction makes this guitar easy on the shoulders on long gigs, and the smooth lines of the body ensure that this is a comfortable guitar to play in either standing or seated positions. The semi-hollow construction of this guitar means that it resonates and sustains very well thanks to the Maple centre block. It produces an airy tone with an unpronounced yet well defined low end, detailed upper midrange and sparkly high frequencies. The Epiphone Alnico Humbucker pickups produce a variety of tones, sounding excellent on clean and slightly overdriven settings, highly suitable for jazz, blues, country or even rock genres. The neck pickup delivers a deep, warm tone that offers clear and rounded notes. The bridge pickup gives the player a more jangly and trebly tone that provides a punchy high-mid range, however the blending of the pickups gives the best of both worlds in the middle position. A versatile package of tones, especially with the individual volume and tone controls for each pickup.800,00 £*Shipping: 0,00 £Secure redirect to the provider
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Ibanez AFJ95 Vintage Sunburst 2012 Hollow Body Electric Guitar Vintage Sunburst - RefurbishedThis is an Ibanez AFJ95 Hollow Body Electric Guitar in Vintage Sunburst finish. Made in China in 2012, this guitar consists of a Spruce top, Flamed Maple back and sides, a 3-piece Maple/Mahogany neck, and a 20-fret Rosewood fingerboard. Other appointments include an upgraded roller saddle style bridge, a VT06 Trapeze tailpiece, Ibanez Die-Cast tuners, and a set of Ibanez Super 58 Humbucking pickups. These pickups are wired to two volume controls, two tone controls, and a three-way pickup selector. The 3-pc Mahogany/Maple neck plays very well, with the 'AFJ' profile filling the hand nicely for a substantial yet articulate grip across the register. The profile might be described as a moderately-sized 'C' shape which offers a smooth and responsive playing experience, well suited to tricky jazz voicings and smooth melodic lines alike. The gloss finish to the rear assists with navigation of the 24.75" scale, whilst the single cutaway ensures access to the upper frets is unrestricted. On the slightly smaller side for a hollow body, the AFJ95 is supremely comfortable in the arms for an easily manageable playing experience in both seated and standing positions. The pair of Ibanez Super '58 humbucking pickups installed in this guitar deliver smooth and well-rounded tones that are well suited to jazz and blues styles. The neck is warm and buttery, with plenty of power for pushing those melodic lines forward in the mix, whilst remaining restrained enough to blend in. The bridge pickup is brighter, with crisp trebles and an open and clear mid-range that works just as well with crunchy gain as it does smooth clean sounds. With comprehensive control of your tone right on the guitar thanks to the independent volume and tone, this guitar is a well-equipped and practical gig-machine.440,00 £*Shipping: 0,00 £Secure redirect to the provider
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Fender Jazzmaster 3-Color Sunburst 1965 Vintage Electric Guitar Vintage Sunburst - RefurbishedMainland UK buyers ONLY. MORE PHOTOS AVAILABLE UPON REQUEST. This is a stunning vintage 1965 Fender Jazzmaster in 3-Color Sunburst finish. Fender's Jazzmaster was introduced in 1958, and at the time was the most expensive guitar available from the manufacturer. It was intended for jazz players, and as such had several features intended to ingratiate itself with them. This included the offset waist, which made the guitar sit more comfortably on the leg when playing in a seated position as jazz guitarists often do. The Jazzmaster was the first Fender instrument to feature a Rosewood fingerboard, emulating the more traditional jazz guitars. The new 'rhythm circuit' produced a dark, mellow tone that Leo Fender thought would be perfect for smooth jazz lines. The instrument even had a completely new floating 'tremolo' design- which of course produces a vibrato effect- that had a locking mechanism to improve tuning stability when the tremolo wasn't in use. The Jazzmaster was ultimately discontinued in 1980 after years of dwindling sales. The instrument never caught on with its target market of Jazz players, but was very successful amongst surf rockers. In later years the instruments gained popularity in alternative scenes such as new wave, shoegaze & grunge. The serial number & specification of this guitar indicate that it was manufactured in 1965, with several indicating factors that point towards its completion in early/mid 1965. These include the neck stamp '4FEB65B' which indicates the neck was style 4 (Jazzmaster), stamped in Feb '65 & was of standard profile (B). It's widely accepted that 'L' serial numbers left the factory between '63 & '65. The lack of nail or clamping holes indicates the guitar was finished after 1964 when the holes were no longer required due to the use of a drying tree. The pot codes are easily legible, and read the 50th week of '63 & 08th week of '65. Fender kept their parts in large batches so it's quite reasonable for a guitar to have pots from different years. The headstock logo is the transitional logo rather than the 'Spaghetti Logo' that was in use until around '64. The fingerboard is inlaid with clay dots, rather than the pearloid dots which were introduced around late '64. There were always crossovers with some of these features, and this, amongst the other factors outlined above are strong signs that this instrument was produced right around the transition to the commonly accepted '65 spec. The Maple neck plays fantastically well, with a profile that feels somewhat like an even 'C' shape. This encourages ergonomic thumb positioning in all registers & ensures comfortable playability across the neck. The Gloss finish to the rear assists with smooth navigation of the 25.5" scale. The wear to the rear of the neck, as well as the light fingerboard wear and gentle battle scarring to the body add to the vintage feel & vibe of the instrument, and make it very inspiring in the hands. The offset body with generous cutaways...9030,00 £*Shipping: 0,00 £Secure redirect to the provider
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Do 200 sit-ups?
Doing 200 sit-ups in one go may not be advisable for everyone, especially if you are not used to that level of physical activity. It is important to listen to your body and gradually build up your strength and endurance. It may be more beneficial to start with a smaller number of sit-ups and gradually increase the amount as your fitness improves. Consulting with a fitness professional or personal trainer can help you create a safe and effective workout plan tailored to your individual needs and goals. **
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Do 200 glasses suffice?
It depends on the context. If you are hosting a small gathering of 20 people, then 200 glasses would likely be more than enough. However, if you are organizing a large event with 500 attendees, then 200 glasses would not be sufficient. It's important to consider the number of guests and the duration of the event when determining how many glasses are needed. **
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Are 200 megapixels huge?
Yes, 200 megapixels is considered huge in the world of digital photography. It would allow for extremely high-resolution images with an incredible amount of detail and clarity. This level of resolution would be well-suited for professional photography, large format printing, and applications that require extensive cropping and zooming while maintaining image quality. **
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Which is better, the Nikkor 55-200 or the Tamron 18-200?
The choice between the Nikkor 55-200 and the Tamron 18-200 depends on your specific needs and preferences. The Nikkor 55-200 is known for its sharpness and image quality, especially at the longer end of the zoom range. On the other hand, the Tamron 18-200 offers a wider focal length range, making it more versatile for different shooting situations. Ultimately, if you prioritize image quality and sharpness, the Nikkor 55-200 may be the better option, but if versatility and convenience are more important to you, the Tamron 18-200 could be the preferred choice. **
Epiphone Sheraton II Vintage Sunburst 1996 Semi-Hollow Electric Guitar Vintage Sunburst - Refurbished
This is an Epiphone Sheraton II Semi-Hollow Electric Guitar in Vintage Sunburst finish. Made in Korea in 1996, this guitar features a set-neck construction comprising a Laminated Maple body with centre block, 5-piece Maple neck and 22 fret Rosewood fingerboard. This guitar is fitted with Gold hardware including Tune-O-Matic bridge, StopBar tailpiece and a set of sealed tuning machines. The pickups fitted are a pair of Epiphone passive humbuckers, which are wired to a 3-way selector & independent volume & tone controls. The Gloss finish neck plays very well, with a profile that resembles a ‘D’ shape. This sits comfortably in the hand and provides a smooth and responsive playing experience in all registers. The Rosewood fingerboard is pleasant under the fingers, and with its 12” radius offers a perfect balance between easy chord playing and practicality for lead lines and string bending techniques. Medium Jumbo frets improve the feel of string bending & vibrato techniques whilst providing a rock solid playing feel. The semi-hollow construction gives the guitar a nice open and resonant feel, while keeping unwanted feedback at bay. The semi-hollow body delivers unique acoustic features. It achieves a delicate balance between body resonance and resistance to feedback, this results in an organic vocal quality that is tactile and responsive to the player's touch. The pair of Epiphone passive humbucking pickups sound thick and chunky with rich lows, tight, punchy mids and crisp, clear highs. The round and thick tone of the neck position is well complemented by the hotter, brighter bridge pickup which provides all of the bite needed for hard rock lead lines. The simple control layout offers comprehensive control of your sound without being intrusive to the playing experience.
610,00 £*
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Epiphone Sheraton II Vintage Sunburst 2004 Semi-Hollow Electric Guitar Vintage Sunburst - Refurbished
This is an Epiphone Sheraton II Semi-Hollow Electric Guitar in Vintage Sunburst finish. Made in the well-regarded Unsung plant in Korea in 2004, this guitar features a set-neck construction comprising a Laminated Maple body with centre block, 5-piece Maple neck and 22 fret Rosewood fingerboard. This guitar is fitted with Gold hardware including Tune-O-Matic bridge, StopBar tailpiece and a set of sealed tuning machines. The pickups fitted are a pair of Epiphone passive humbuckers, which are wired to a 3-way selector & independent volume & tone controls. The Gloss finish neck plays very well, with a profile that resembles a ‘D’ shape. This sits comfortably in the hand and provides a smooth and responsive playing experience in all registers. The Rosewood fingerboard is pleasant under the fingers, and with its 12” radius offers a perfect balance between easy chord playing and practicality for lead lines and string bending techniques. Medium Jumbo frets improve the feel of string bending & vibrato techniques whilst providing a rock solid playing feel. The semi-hollow construction gives the guitar a nice open and resonant feel, while keeping unwanted feedback at bay. The semi-hollow body delivers unique acoustic features. It achieves a delicate balance between body resonance and resistance to feedback, this results in an organic vocal quality that is tactile and responsive to the player's touch. The pair of Epiphone passive humbucking pickups sound thick and chunky with rich lows, tight, punchy mids and crisp, clear highs. The round and thick tone of the neck position is well complemented by the hotter, brighter bridge pickup which provides all of the bite needed for hard rock lead lines. The simple control layout offers comprehensive control of your sound without being intrusive to the playing experience.
570,00 £*
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How many milliliters are 200 grams of sugar and 200 grams of flour?
The volume of 200 grams of sugar and 200 grams of flour will vary because the density of sugar and flour is different. However, as a rough estimate, 200 grams of sugar is approximately 240 milliliters, and 200 grams of flour is approximately 280 milliliters. It's important to note that these measurements are approximate and can vary based on the specific type and brand of sugar and flour. **
Are 200 sit-ups enough?
Doing 200 sit-ups in one session can be a good workout for your core muscles, but it may not be enough to see significant results on its own. To see improvements in muscle strength and endurance, it's important to incorporate a variety of exercises targeting different muscle groups and to gradually increase the intensity and number of repetitions over time. Additionally, focusing on proper form and technique is crucial to prevent injury and maximize the effectiveness of the exercise. **
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Products related to Gretsch-Synchromatic-200-Sunburst:
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Gretsch Synchromatic 200 Sunburst c.1940s Vintage Archtop Acoustic Guitar Vintage Sunburst - RefurbishedThis is an incredible Gretsch Synchromatic 200 in Sunburst finish. This model was introduced by the original incarnation of Gretsch in 1939. The company was founded in Brooklyn, New York in 1883 by Friedrich Gretsch, initially as a drum manufacturer. The Synchromatic 200 was introduced in 1939 and discontinued by 1946. The serial number of this instrument is 3 digits handwritten on the inside of the body, indicating that it was made before Gretsch changed their serial number system in 1945/6. The Synchromatic 200 is an archtop acoustic guitar which features a set-neck construction comprising a Spruce top, Maple back and sides, Maple neck and 20 fret Rosewood fingerboard inlaid with Abalone blocks. The body is double-bound, with cateye soundholes, 'stairstep' Rosewood bridge, gold 'Harp' tailpiece & gold open-geared tuning machines. This particular instrument has been fitted with an Artec MHPA95-GD Mini Humbucker, which is wired directly to a 3.5mm output jack mounted discreetly under the pickguard. The Maple neck plays very well, with a profile which can be described as Asymmetrical; considerably shallower on the treble side and deeper on the bass side. This is certainly a unique playing experience when compared with modern guitars, and provides the Synchromatic 200 with a sense of exclusivity, which along with the playwear that the neck has developed over the years is very inspiring in the hands. The Rosewood of the fingerboard is pleasant under the fingers, with a 10" radius that is practical for a wide range of playing styles and techniques. The large Abalone block inlays add a touch of luxury, reminding the player of Gretsch's golden age. The acoustic voice of the Synchromatic 200 is distinctly archtop, with a dark and mellow tone that is perfect for jazz playing. Thanks to the large stature of the body and the twin large soundholes, the instrument projects very well and produces plenty of volume. The addition of the Artec MHPA95-GD Mini Humbucker adds the versatility required for live and recording situations, and despite its lack of on-board control produces a rich, mellow tone which is highly usable in a wide range of musical contexts. This is a beautifully preserved example of Gretsch's early work, which remains beautifully practical and playable today.3230,00 £*Shipping: 0,00 £Secure redirect to the provider
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Epiphone J-200 EC Studio Parlor Vintage Sunburst 2025 Electro-Acoustic Guitar Vintage Sunburst - RefurbishedThis is an Epiphone J-200 EC Studio Parlor electro-acoustic guitar in Vintage Sunburst finish. Made in China in 2025, this guitar features a set-neck construction comprising a Solid Spruce top, Laminated Ovangkol back & sides, Hard Maple neck and 20 fret Pau Ferro fingerboard with matching bridge. The body is double bound in white, with multi-stripe purfling to the top along with a tortoise pickguard & Abalone rosette. A Bone saddle & nut are fitted, along with a set of Gold Grover Mini-Rotomatic tuning machines. A Fishman Sonicore undersaddle piezo is installed, and is wired to a Fishman Presys II preamp with controls for master volume, bass, treble, phase reverse & an on-board tuner. The Hard Maple neck plays very well, with the 'Rounded' profile filling the hand nicely for a substantial yet articulate playing experience across the register. The nut width of 1.69" offers ample string spacing without feeling cumbersome. The Pau Ferro of the fretboard is pleasant under the fingers, and with its traditional 12" radius & medium frets is well equipped for a wide range of playing styles & techniques. The baby jumbo or parlor body size is nice & comfortable in the arms, offering an easily manageable playing experience in both seated & standing positions. The acoustic voice of the Epiphone J-200 EC Studio Parlor is bright & crisp, with plenty of top end sparkle thanks to the small stature of the body & the use of Spruce for the top. The mid range is smooth & round, whilst the low-end is understated whilst remaining accurate. The Solid Spruce top projects very well, and produces an impressive amount of volume & dynamic range for such a small instrument. The on-board Fishman electronics faithfully convey the acoustic voice of the instrument in both live & recording situations, whilst the on-board tuner improves the practicality of guitar.430,00 £*Shipping: 0,00 £Secure redirect to the provider
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PRS Custom 24 Vintage Sunburst 1991 Electric Guitar Vintage Sunburst - RefurbishedThis is a PRS Custom 24 Electric Guitar in Vintage Sunburst finish. After being unveiled by Paul Reed Smith at the NAMM show in 1985, the Custom 24 established a 'third way' between Fender and Gibson in the guitar landscape. Made in the USA in 1991, this guitar consists of a Mahogany body with a Figured Maple top, a Mahogany neck, and a 24-fret Rosewood fingerboard. Other appointments include a PRS Tremolo system, PRS Locking tuners, and Gold hardware. The pickups installed in this model are a PRS HFS Treble Humbucker in the bridge, and a PRS Vintage Bass Humbucker in the neck position. These are wired to a master volume, master tone, and a 5-way rotary switch. The Mahogany neck plays superbly well, with the 'Wide Thin' profile offering a smooth, responsive and articulate paying experience in all registers. Certainly, the profile is well suited to lead players as it is slim enough for fast melodic lines and solos. The gloss finish to the rear of the neck assists with navigation of the 25" scale, and the double cutaway body design with signature PRS sculpted lower horn enhances access to the upper frets. The Rosewood of the fingerboard is pleasant under the fingers, its 10" radius feeling practical for a wide range of playing styles and techniques whilst the attractive and unique Abalone 'Bird' inlays add a touch of luxury to the playing experience. The pair of PRS humbucking pickups installed in this guitar deliver thick and full-bodied tones, with plenty of switching options to ensure versatility. The Vintage Bass in the neck position is warm and round, and delivers plenty of power to push those lead lines and solos to the front of the mix. The HFS Treble bridge pickup is brighter, and can handle serious amounts of gain for a saturated rhythm guitar sound on your riffs and power chords. In positions 2 & 4 the pickups effectively split, providing an out-of-phase single coil sound which works well for crystal clear shimmering clean sounds. The control layout remains simple but offers plenty of scope for shaping your tone.3660,00 £*Shipping: 0,00 £Secure redirect to the provider
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Epiphone Noel Gallagher SuperNova Vintage Sunburst 1997 Electric Guitar Vintage Sunburst - RefurbishedThis is an Epiphone Noel Gallagher SuperNova semi-hollow electric guitar in Vintage Sunburst finish. Made in Korea in 1997 this guitar features a set-neck construction comprising a Laminated Maple body with a Maple centre block, a Mahogany neck and 22 Medium Jumbo fret Rosewood fingerboard. The guitar is equipped with a Tune-O-Matic adjustable bridge and a stopbar tailpiece, along with a set of vintage-style tuning machines. A pair of Epiphone Alnico humbucking pickups are installed, these are wired to a 3-way toggle switch and independent volume & tone controls. The Mahogany neck plays well, with the SlimTaper ‘C’ profile feeling slim yet comfortable in the hand and offering easy fretting in any register. The Gloss finish to the rear feels pleasant to the touch and aids easy transitions up and down the neck, whilst the 12” Rosewood fingerboard and Medium Jumbo frets provide a robust playing experience that feels rock solid under the fingers, enhancing string bending and vibrato techniques. The semi-hollow construction makes this guitar easy on the shoulders on long gigs, and the smooth lines of the body ensure that this is a comfortable guitar to play in either standing or seated positions. The semi-hollow construction of this guitar means that it resonates and sustains very well thanks to the Maple centre block. It produces an airy tone with an unpronounced yet well defined low end, detailed upper midrange and sparkly high frequencies. The Epiphone Alnico Humbucker pickups produce a variety of tones, sounding excellent on clean and slightly overdriven settings, highly suitable for jazz, blues, country or even rock genres. The neck pickup delivers a deep, warm tone that offers clear and rounded notes. The bridge pickup gives the player a more jangly and trebly tone that provides a punchy high-mid range, however the blending of the pickups gives the best of both worlds in the middle position. A versatile package of tones, especially with the individual volume and tone controls for each pickup.800,00 £*Shipping: 0,00 £Secure redirect to the provider
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For antique rustic oak furniture that you would like to lighten, what type of wood would be suitable?
For antique rustic oak furniture that you would like to lighten, a suitable wood type would be pine. Pine is a lighter wood with a natural grain that can complement the rustic style of the oak furniture. It is also easier to work with and can be stained or painted to achieve the desired lighter finish. Additionally, pine is a durable wood that can withstand the wear and tear of everyday use, making it a practical choice for furniture restoration. **
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Is 200 realistic?
It depends on the context. If you are asking about a score on a test or exam, then 200 may or may not be realistic depending on the difficulty of the test and your level of preparation. If you are asking about a goal or target, then 200 may be realistic or unrealistic depending on the specific circumstances and resources available. It's important to consider the specific context and factors involved in order to determine if 200 is realistic. **
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Do 200 sit-ups?
Doing 200 sit-ups in one go may not be advisable for everyone, especially if you are not used to that level of physical activity. It is important to listen to your body and gradually build up your strength and endurance. It may be more beneficial to start with a smaller number of sit-ups and gradually increase the amount as your fitness improves. Consulting with a fitness professional or personal trainer can help you create a safe and effective workout plan tailored to your individual needs and goals. **
-
Do 200 glasses suffice?
It depends on the context. If you are hosting a small gathering of 20 people, then 200 glasses would likely be more than enough. However, if you are organizing a large event with 500 attendees, then 200 glasses would not be sufficient. It's important to consider the number of guests and the duration of the event when determining how many glasses are needed. **
Similar search terms for Gretsch-Synchromatic-200-Sunburst
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Ibanez AFJ95 Vintage Sunburst 2012 Hollow Body Electric Guitar Vintage Sunburst - RefurbishedThis is an Ibanez AFJ95 Hollow Body Electric Guitar in Vintage Sunburst finish. Made in China in 2012, this guitar consists of a Spruce top, Flamed Maple back and sides, a 3-piece Maple/Mahogany neck, and a 20-fret Rosewood fingerboard. Other appointments include an upgraded roller saddle style bridge, a VT06 Trapeze tailpiece, Ibanez Die-Cast tuners, and a set of Ibanez Super 58 Humbucking pickups. These pickups are wired to two volume controls, two tone controls, and a three-way pickup selector. The 3-pc Mahogany/Maple neck plays very well, with the 'AFJ' profile filling the hand nicely for a substantial yet articulate grip across the register. The profile might be described as a moderately-sized 'C' shape which offers a smooth and responsive playing experience, well suited to tricky jazz voicings and smooth melodic lines alike. The gloss finish to the rear assists with navigation of the 24.75" scale, whilst the single cutaway ensures access to the upper frets is unrestricted. On the slightly smaller side for a hollow body, the AFJ95 is supremely comfortable in the arms for an easily manageable playing experience in both seated and standing positions. The pair of Ibanez Super '58 humbucking pickups installed in this guitar deliver smooth and well-rounded tones that are well suited to jazz and blues styles. The neck is warm and buttery, with plenty of power for pushing those melodic lines forward in the mix, whilst remaining restrained enough to blend in. The bridge pickup is brighter, with crisp trebles and an open and clear mid-range that works just as well with crunchy gain as it does smooth clean sounds. With comprehensive control of your tone right on the guitar thanks to the independent volume and tone, this guitar is a well-equipped and practical gig-machine.440,00 £*Shipping: 0,00 £Secure redirect to the provider
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Fender Jazzmaster 3-Color Sunburst 1965 Vintage Electric Guitar Vintage Sunburst - RefurbishedMainland UK buyers ONLY. MORE PHOTOS AVAILABLE UPON REQUEST. This is a stunning vintage 1965 Fender Jazzmaster in 3-Color Sunburst finish. Fender's Jazzmaster was introduced in 1958, and at the time was the most expensive guitar available from the manufacturer. It was intended for jazz players, and as such had several features intended to ingratiate itself with them. This included the offset waist, which made the guitar sit more comfortably on the leg when playing in a seated position as jazz guitarists often do. The Jazzmaster was the first Fender instrument to feature a Rosewood fingerboard, emulating the more traditional jazz guitars. The new 'rhythm circuit' produced a dark, mellow tone that Leo Fender thought would be perfect for smooth jazz lines. The instrument even had a completely new floating 'tremolo' design- which of course produces a vibrato effect- that had a locking mechanism to improve tuning stability when the tremolo wasn't in use. The Jazzmaster was ultimately discontinued in 1980 after years of dwindling sales. The instrument never caught on with its target market of Jazz players, but was very successful amongst surf rockers. In later years the instruments gained popularity in alternative scenes such as new wave, shoegaze & grunge. The serial number & specification of this guitar indicate that it was manufactured in 1965, with several indicating factors that point towards its completion in early/mid 1965. These include the neck stamp '4FEB65B' which indicates the neck was style 4 (Jazzmaster), stamped in Feb '65 & was of standard profile (B). It's widely accepted that 'L' serial numbers left the factory between '63 & '65. The lack of nail or clamping holes indicates the guitar was finished after 1964 when the holes were no longer required due to the use of a drying tree. The pot codes are easily legible, and read the 50th week of '63 & 08th week of '65. Fender kept their parts in large batches so it's quite reasonable for a guitar to have pots from different years. The headstock logo is the transitional logo rather than the 'Spaghetti Logo' that was in use until around '64. The fingerboard is inlaid with clay dots, rather than the pearloid dots which were introduced around late '64. There were always crossovers with some of these features, and this, amongst the other factors outlined above are strong signs that this instrument was produced right around the transition to the commonly accepted '65 spec. The Maple neck plays fantastically well, with a profile that feels somewhat like an even 'C' shape. This encourages ergonomic thumb positioning in all registers & ensures comfortable playability across the neck. The Gloss finish to the rear assists with smooth navigation of the 25.5" scale. The wear to the rear of the neck, as well as the light fingerboard wear and gentle battle scarring to the body add to the vintage feel & vibe of the instrument, and make it very inspiring in the hands. The offset body with generous cutaways...9030,00 £*Shipping: 0,00 £Secure redirect to the provider
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Epiphone Sheraton II Vintage Sunburst 1996 Semi-Hollow Electric Guitar Vintage Sunburst - RefurbishedThis is an Epiphone Sheraton II Semi-Hollow Electric Guitar in Vintage Sunburst finish. Made in Korea in 1996, this guitar features a set-neck construction comprising a Laminated Maple body with centre block, 5-piece Maple neck and 22 fret Rosewood fingerboard. This guitar is fitted with Gold hardware including Tune-O-Matic bridge, StopBar tailpiece and a set of sealed tuning machines. The pickups fitted are a pair of Epiphone passive humbuckers, which are wired to a 3-way selector & independent volume & tone controls. The Gloss finish neck plays very well, with a profile that resembles a ‘D’ shape. This sits comfortably in the hand and provides a smooth and responsive playing experience in all registers. The Rosewood fingerboard is pleasant under the fingers, and with its 12” radius offers a perfect balance between easy chord playing and practicality for lead lines and string bending techniques. Medium Jumbo frets improve the feel of string bending & vibrato techniques whilst providing a rock solid playing feel. The semi-hollow construction gives the guitar a nice open and resonant feel, while keeping unwanted feedback at bay. The semi-hollow body delivers unique acoustic features. It achieves a delicate balance between body resonance and resistance to feedback, this results in an organic vocal quality that is tactile and responsive to the player's touch. The pair of Epiphone passive humbucking pickups sound thick and chunky with rich lows, tight, punchy mids and crisp, clear highs. The round and thick tone of the neck position is well complemented by the hotter, brighter bridge pickup which provides all of the bite needed for hard rock lead lines. The simple control layout offers comprehensive control of your sound without being intrusive to the playing experience.610,00 £*Shipping: 0,00 £Secure redirect to the provider
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Epiphone Sheraton II Vintage Sunburst 2004 Semi-Hollow Electric Guitar Vintage Sunburst - RefurbishedThis is an Epiphone Sheraton II Semi-Hollow Electric Guitar in Vintage Sunburst finish. Made in the well-regarded Unsung plant in Korea in 2004, this guitar features a set-neck construction comprising a Laminated Maple body with centre block, 5-piece Maple neck and 22 fret Rosewood fingerboard. This guitar is fitted with Gold hardware including Tune-O-Matic bridge, StopBar tailpiece and a set of sealed tuning machines. The pickups fitted are a pair of Epiphone passive humbuckers, which are wired to a 3-way selector & independent volume & tone controls. The Gloss finish neck plays very well, with a profile that resembles a ‘D’ shape. This sits comfortably in the hand and provides a smooth and responsive playing experience in all registers. The Rosewood fingerboard is pleasant under the fingers, and with its 12” radius offers a perfect balance between easy chord playing and practicality for lead lines and string bending techniques. Medium Jumbo frets improve the feel of string bending & vibrato techniques whilst providing a rock solid playing feel. The semi-hollow construction gives the guitar a nice open and resonant feel, while keeping unwanted feedback at bay. The semi-hollow body delivers unique acoustic features. It achieves a delicate balance between body resonance and resistance to feedback, this results in an organic vocal quality that is tactile and responsive to the player's touch. The pair of Epiphone passive humbucking pickups sound thick and chunky with rich lows, tight, punchy mids and crisp, clear highs. The round and thick tone of the neck position is well complemented by the hotter, brighter bridge pickup which provides all of the bite needed for hard rock lead lines. The simple control layout offers comprehensive control of your sound without being intrusive to the playing experience.570,00 £*Shipping: 0,00 £Secure redirect to the provider
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Are 200 megapixels huge?
Yes, 200 megapixels is considered huge in the world of digital photography. It would allow for extremely high-resolution images with an incredible amount of detail and clarity. This level of resolution would be well-suited for professional photography, large format printing, and applications that require extensive cropping and zooming while maintaining image quality. **
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Which is better, the Nikkor 55-200 or the Tamron 18-200?
The choice between the Nikkor 55-200 and the Tamron 18-200 depends on your specific needs and preferences. The Nikkor 55-200 is known for its sharpness and image quality, especially at the longer end of the zoom range. On the other hand, the Tamron 18-200 offers a wider focal length range, making it more versatile for different shooting situations. Ultimately, if you prioritize image quality and sharpness, the Nikkor 55-200 may be the better option, but if versatility and convenience are more important to you, the Tamron 18-200 could be the preferred choice. **
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How many milliliters are 200 grams of sugar and 200 grams of flour?
The volume of 200 grams of sugar and 200 grams of flour will vary because the density of sugar and flour is different. However, as a rough estimate, 200 grams of sugar is approximately 240 milliliters, and 200 grams of flour is approximately 280 milliliters. It's important to note that these measurements are approximate and can vary based on the specific type and brand of sugar and flour. **
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Are 200 sit-ups enough?
Doing 200 sit-ups in one session can be a good workout for your core muscles, but it may not be enough to see significant results on its own. To see improvements in muscle strength and endurance, it's important to incorporate a variety of exercises targeting different muscle groups and to gradually increase the intensity and number of repetitions over time. Additionally, focusing on proper form and technique is crucial to prevent injury and maximize the effectiveness of the exercise. **
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases. ** Note: Parts of this content were created by AI.